Jose Luis Garcia-Lopez was born in Spain and began drawing comics professionally in Argentina at age 13. In the 1960s, he drew romance titles for Charlton Comics. He came to the U.S. in 1974 and started working for DC Comics, drawing series such as Superman, Batman, Hawkman, Tarzan, and Jonah Hex. His other notable work includes Atari Force, Deadman, New Teen Titans, and On the Road to Perdition. Since 1982, Garcia-Lopez has designed and pencilled the definitive versions of Superman, Batman, Wonder Woman, and many other characters for various DC Comics style guides, which are created for licensees only. His style guide art has been seen on countless DC Comics licensed products and is still being used today.
Writer Steve Gerber, best known for co-creating Howard the Duck, wrote such titles as The Defenders, Man-Thing, Omega the Unknown, and Guardians of the Galaxy for Marvel and was one of the founders of the Malibu Comics Ultraverse.
Dave Gibbons started out in underground comics in the UK in the early 1970s. His work appeared to the first issue of 2000 AD in 1977, and he served as the lead artist on Doctor Who Weekly/Monthly for over 60 issues. His best-known work appeared in 1986: DC’s Watchmen, with writer Alan Moore. Gibbons both drew and lettered the landmark miniseries, later collected into a bestselling graphic novel that has been lauded as one of the top works in comics history. Gibbons’s other works include Frank Miller’s Give Me Liberty and Martha Washington Goes to War, the Eisner Award–winning graphic novel The Originals, and Green Lantern Corps for DC. In 2014 he was appointed the UK's first Comics Laureate.
As a penciller/inker, Dick Giordano worked for a variety of publishers, including Charlton, DC, Marvel, and Dell. He also served as editor-in-chief at Charlton and as executive editorial director of DC Comics, where he was the guiding force behind Watchmen and Batman: The Dark Knight Returns, among other projects.
Jean Giraud first came to the attention of Americans as the artist on the western graphic novel series Lt. Blueberry. In 1975, he founded Metal Hurlant (which became Heavy Metal in the U.S.). His signature art style on such SF/fantasy series as Airtight Garage and Arzach (which he created under the name Moebius), has been highly influential on a wide variety of artists.
Reuben “Rube” Goldberg was a cartoonist best known for his creation of the “Rube Goldberg machine,” a contraption that performs a simple action in a convoluted way. Golberg drew a number of syndicated strips, including Mike and Ike (They Look Alike), Boob McNutt, Foolish Questions, and The Weekly Meeting of the Tuesday Women's Club. The cartoons that brought him lasting fame involved a character named Professor Lucifer Gorgonzola Butts. In that series, Goldberg drew labeled schematics of the comical "inventions" that would later bear his name. Goldberg was a founding member and the first president of the National Cartoonists Society and is the namesake of the Reuben Awards, which the NCS gives to the Cartoonist of the Year.
Archie Goodwin is considered by all to have been the “editor’s editor.” He left his mark first as editor (and chief writer) of Creepy and Eerie for Warren in the 1960s, then went on to edit the Epic line of creator-owned projects at Marvel. He then moved on to DC, where he served as editor of a variety of Batman titles until his death in 1998.
One of the most famous of all European comics writers, René Goscinny began his career as the scriptwriter for the popular western strip Lucky Luke. In 1959 co-founded the influential comics weekly Pilote, for which he and artist Albert Uderzo created a new series, Asterix the Gaul. This strip became wildly successful in France and achieved popularity around the world.
If Carl Barks was Disney’s “Duck Man,” Floyd Gottfredson was Disney’s “Mouse Man.” Floyd began writing and drawing the Mickey Mouse newspaper strip in 1930, with his classic period going up through 1955. He continued to work on the strip until 1975.
Chester Gould is the cartoonist who brought us Dick Tracy, Tess Truehart, Junior, Moon Maid, and the most bizarre set of villains ever to grace a newspaper page, including Flattop, Mumbles, and The Mole. Gould not only produced gritty crime stories on a daily basis, but delighted readers with such scientific innovations as the two-way wrist radio.
Harold Gray created Little Orphan Annie in 1924 and continued to write and draw the strip for 44 years. In addition to spawning popular songs and catchphrases (“Leaping Lizards!”) and a hit Broadway musical, one of the innovations of the popular strip was that it was told in “real time”: the events in the strip unfolded one day at a time.
Matt Groening, creator and executive producer of The Simpsons, the longest running primetime animated series in television history, started out as a cartoonist, producing the syndicated weekly strip Life in Hell beginning in 1978; he continued the strip until 2012. In 1985 he was asked to come up with an animated short to be part of Fox’s Tracey Ullman Show; the rest is history. Groening's other award-winning animated series, Futurama, launched 1999 and ran for five seasons. In 1993, he formed Bongo Comics Group, where he serves as publisher of Simpsons Comics, Futurama Comics, and dozens of other titles.
Milton Gross began his cartooning career in 1915, producing a number of humorous newspaper strips. After serving in World War I, he went on to create strips like Frenchy, Banana Oil, and Help Wanted. His big break came with Gross Exaggerations, a weekly column of prose and cartoons. In 1926 Nize Baby, a book collection of some of these columns, appeared and was an instant hit. Under the same title, Gross began a Sunday page feature in 1927. Other books by Gross include Hiawatta, Dunt Esk, and the pioneer wordless graphic novel He Done Her Wrong. In 1933 Gross was hired by newspaper tycoon William Randolph Hearst, for whom he produced such strips as Count Screwloose of Tooloose, Dave's Delicatessen, Otto and Blotto, and That's My Pop!
Irwin Hasen started in comic books in 1940, working on such features as The Green Hornet, The Fox, Secret Agent Z-2, Bob Preston, Cat-Man and The Flash, through the Harry "A" Chesler shop. He went on to draw several Green Lantern issues for DC and to co-create the character of Wildcat with Bill Finger. After serving in the military in WWII, Hasen returned to DC, where he drew Johnny Thunder, Justice League of America, Wonder Woman, The Flash, and and Green Lantern, among others. He and writer Gus Edson collaborated on the Dondi newspaper strip from 1955 to 1986.
Russ Heath joined Timely (Marvel) in 1946, where he drew westerns that stood out for their realistic artwork and details. He also drew science fiction stories for Avon, romance stories for Lev Gleason, and Plastic Man for Quality. In the 1950s at DC/National he drew such features as “Golden Gladiator” and “Robin Hood” in Brave and the Bold. But his mostly highly lauded work was for war titles, including Sea Devils, Our Army at War (“Sgt. Rock”), and G.I. Combat (“The Haunted Tank”).