Working in what was primarily a men’s industry, Ramona Fradon drew comics for DC in the 1950s and 1960s, with a memorable run on Aquaman. She also co-created Metamorpho. After a hiatus in the late 1960s, she returned to DC to draw such titles as Plastic Man. She left DC in 1980 to bring her distinctive style the Brenda Starr newspaper strip, which she continued to draw until her retirement in 1995.
Although he worked on both comic books (EC Comics stories and covers) and comic strips (Li’l Abner, Johnny Comet), Frank Frazetta is best known for his book and magazine covers (Tarzan, Creepy, Eerie, and especially Conan) and movie posters. His style has influenced untold numbers of fantasy painters and illustrators.
Highly successful author Neil Gaiman broke into comics in 1986 with some short “Future Shock” strips for 2000 AD. But he really attracted notice with his and Dave McKean’s graphic novel Violent Cases, published in 1987. DC brought him on to write the limited comics series Black Orchid, which was followed in 1989 by the groundbreaking series The Sandman for DC’s Vertigo line; the series lasted 75 issues, through 1996, and had several spinoffs and one-shots. Gaiman’s other comics work has included the series Death, Marvel 1602, and Miracleman, as well as thegraphic novels Signal to Noise, Mr. Punch, and How to Talk to Girls at Parties.
Although most people probably think of MAD magazine when they think of Gaines (he was the publisher of the humor magazine from its inception until his death), William Gaines had his greatest influence in founding and publishing the EC Comics line, from Tales From the Crypt to Weird Science.
Jose Luis Garcia-Lopez was born in Spain and began drawing comics professionally in Argentina at age 13. In the 1960s, he drew romance titles for Charlton Comics. He came to the U.S. in 1974 and started working for DC Comics, drawing series such as Superman, Batman, Hawkman, Tarzan, and Jonah Hex. His other notable work includes Atari Force, Deadman, New Teen Titans, and On the Road to Perdition. Since 1982, Garcia-Lopez has designed and pencilled the definitive versions of Superman, Batman, Wonder Woman, and many other characters for various DC Comics style guides, which are created for licensees only. His style guide art has been seen on countless DC Comics licensed products and is still being used today.
Writer Steve Gerber, best known for co-creating Howard the Duck, wrote such titles as The Defenders, Man-Thing, Omega the Unknown, and Guardians of the Galaxy for Marvel and was one of the founders of the Malibu Comics Ultraverse.
Dave Gibbons started out in underground comics in the UK in the early 1970s. His work appeared to the first issue of 2000 AD in 1977, and he served as the lead artist on Doctor Who Weekly/Monthly for over 60 issues. His best-known work appeared in 1986: DC’s Watchmen, with writer Alan Moore. Gibbons both drew and lettered the landmark miniseries, later collected into a bestselling graphic novel that has been lauded as one of the top works in comics history. Gibbons’s other works include Frank Miller’s Give Me Liberty and Martha Washington Goes to War, the Eisner Award–winning graphic novel The Originals, and Green Lantern Corps for DC. In 2014 he was appointed the UK's first Comics Laureate.
As a penciller/inker, Dick Giordano worked for a variety of publishers, including Charlton, DC, Marvel, and Dell. He also served as editor-in-chief at Charlton and as executive editorial director of DC Comics, where he was the guiding force behind Watchmen and Batman: The Dark Knight Returns, among other projects.
Jean Giraud first came to the attention of Americans as the artist on the western graphic novel series Lt. Blueberry. In 1975, he founded Metal Hurlant (which became Heavy Metal in the U.S.). His signature art style on such SF/fantasy series as Airtight Garage and Arzach (which he created under the name Moebius), has been highly influential on a wide variety of artists.
Stan Goldberg started his career in 1949 at the age of 16 as a staff artist for Timely (now Marvel), where he was in charge of the color department. Goldberg continued to color Marvel comics until 1969, creating the color designs for many Silver Age characters, including Spider-Man, The Fantastic Four, and The Hulk. He also drew such Marvel titles as Millie the Model and Patsy Walker. After leaving Marvel he drew some of DC’s teen titles, including Date with Debbie, Swing with Scooter, and Binky, and began a 40-year career at Archie Comics, with his work appearing in such titles as Archie and Me, Betty and Me, Everything’s Archie, Life with Archie, Archie’s Pals n Gals, Laugh, Pep, and Sabrina The Teenage Witch. From 1975 to 1980 Goldberg drew the Archie Sunday newspaper strip.
Reuben “Rube” Goldberg was a cartoonist best known for his creation of the “Rube Goldberg machine,” a contraption that performs a simple action in a convoluted way. Golberg drew a number of syndicated strips, including Mike and Ike (They Look Alike), Boob McNutt, Foolish Questions, and The Weekly Meeting of the Tuesday Women's Club. The cartoons that brought him lasting fame involved a character named Professor Lucifer Gorgonzola Butts. In that series, Goldberg drew labeled schematics of the comical "inventions" that would later bear his name. Goldberg was a founding member and the first president of the National Cartoonists Society and is the namesake of the Reuben Awards, which the NCS gives to the Cartoonist of the Year.
Archie Goodwin is considered by all to have been the “editor’s editor.” He left his mark first as editor (and chief writer) of Creepy and Eerie for Warren in the 1960s, then went on to edit the Epic line of creator-owned projects at Marvel. He then moved on to DC, where he served as editor of a variety of Batman titles until his death in 1998.
One of the most famous of all European comics writers, René Goscinny began his career as the scriptwriter for the popular western strip Lucky Luke. In 1959 co-founded the influential comics weekly Pilote, for which he and artist Albert Uderzo created a new series, Asterix the Gaul. This strip became wildly successful in France and achieved popularity around the world.
If Carl Barks was Disney’s “Duck Man,” Floyd Gottfredson was Disney’s “Mouse Man.” Floyd began writing and drawing the Mickey Mouse newspaper strip in 1930, with his classic period going up through 1955. He continued to work on the strip until 1975.
Chester Gould is the cartoonist who brought us Dick Tracy, Tess Truehart, Junior, Moon Maid, and the most bizarre set of villains ever to grace a newspaper page, including Flattop, Mumbles, and The Mole. Gould not only produced gritty crime stories on a daily basis, but delighted readers with such scientific innovations as the two-way wrist radio.