Jean Giraud first came to the attention of Americans as the artist on the western graphic novel series Lt. Blueberry. In 1975, he founded Metal Hurlant (which became Heavy Metal in the U.S.). His signature art style on such SF/fantasy series as Airtight Garage and Arzach (which he created under the name Moebius), has been highly influential on a wide variety of artists. Inducted 1998
Reuben “Rube” Goldberg was a cartoonist best known for his creation of the “Rube Goldberg machine,” a contraption that performs a simple action in a convoluted way. Golberg drew a number of syndicated strips, including Mike and Ike (They Look Alike), Boob McNutt, Foolish Questions, and The Weekly Meeting of the Tuesday Women's Club. The cartoons that brought him lasting fame involved a character named Professor Lucifer Gorgonzola Butts. In that series, Goldberg drew labeled schematics of the comical "inventions" that would later bear his name. Goldberg was a founding member and the first president of the National Cartoonists Society and is the namesake of the Reuben Awards, which the NCS gives to the Cartoonist of the Year.
Archie Goodwin is considered by all to have been the “editor’s editor.” He left his mark first as editor (and chief writer) of Creepy and Eerie for Warren in the 1960s, then went on to edit the Epic line of creator-owned projects at Marvel. He then moved on to DC, where he served as editor of a variety of Batman titles until his death in 1998. Inducted 1998
One of the most famous of all European comics writers, René Goscinny began his career as the scriptwriter for the popular western strip Lucky Luke. In 1959 co-founded the influential comics weekly Pilote, for which he and artist Albert Uderzo created a new series, Asterix the Gaul. This strip became wildly successful in France and achieved popularity around the world. Inducted 2005
If Carl Barks was Disney’s “Duck Man,” Floyd Gottfredson was Disney’s “Mouse Man.” Floyd began writing and drawing the Mickey Mouse newspaper strip in 1930, with his classic period going up through 1955. He continued to work on the strip until 1975. Inducted 2006
Chester Gould is the cartoonist who brought us Dick Tracy, Tess Truehart, Junior, Moon Maid, and the most bizarre set of villains ever to grace a newspaper page, including Flattop, Mumbles, and The Mole. Gould not only produced gritty crime stories on a daily basis, but delighted readers with such scientific innovations as the two-way wrist radio. Inducted 2001
Harold Gray created Little Orphan Annie in 1924 and continued to write and draw the strip for 44 years. In addition to spawning popular songs and catchphrases (“Leaping Lizards!”) and a hit Broadway musical, one of the innovations of the popular strip was that it was told in “real time”: the events in the strip unfolded one day at a time. Inducted 2009
Matt Groening, creator and executive producer of The Simpsons, the longest running primetime animated series in television history, started out as a cartoonist, producing the syndicated weekly strip Life in Hell beginning in 1978; he continued the strip until 2012. In 1985 he was asked to come up with an animated short to be part of Fox’s Tracey Ullman Show; the rest is history. Groening's other award-winning animated series, Futurama, launched 1999 and ran for five seasons. In 1993, he formed Bongo Comics Group, where he serves as publisher of Simpsons Comics, Futurama Comics, and dozens of other titles.
Milton Gross began his cartooning career in 1915, producing a number of humorous newspaper strips. After serving in World War I, he went on to create strips like Frenchy, Banana Oil, and Help Wanted. His big break came with Gross Exaggerations, a weekly column of prose and cartoons. In 1926 Nize Baby, a book collection of some of these columns, appeared and was an instant hit. Under the same title, Gross began a Sunday page feature in 1927. Other books by Gross include Hiawatta, Dunt Esk, and the pioneer wordless graphic novel He Done Her Wrong. In 1933 Gross was hired by newspaper tycoon William Randolph Hearst, for whom he produced such strips as Count Screwloose of Tooloose, Dave's Delicatessen, Otto and Blotto, and That's My Pop!
Irwin Hasen started in comic books in 1940, working on such features as The Green Hornet, The Fox, Secret Agent Z-2, Bob Preston, Cat-Man and The Flash, through the Harry "A" Chesler shop. He went on to draw several Green Lantern issues for DC and to co-create the character of Wildcat with Bill Finger. After serving in the military in WWII, Hasen returned to DC, where he drew Johnny Thunder, Justice League of America, Wonder Woman, The Flash, and and Green Lantern, among others. He and writer Gus Edson collaborated on the Dondi newspaper strip from 1955 to 1986. Inducted 2014
Russ Heath joined Timely (Marvel) in 1946, where he drew westerns that stood out for their realistic artwork and details. He also drew science fiction stories for Avon, romance stories for Lev Gleason, and Plastic Man for Quality. In the 1950s at DC/National he drew such features as “Golden Gladiator” and “Robin Hood” in Brave and the Bold. But his mostly highly lauded work was for war titles, including Sea Devils, Our Army at War (“Sgt. Rock”), and G.I. Combat (“The Haunted Tank”). Inducted 2004
Belgian cartoonist Georges Remi, known by his pen name Hergé, created Tintin in 1929 as a comic strip for a weekly newspaper supplement. The adventure series became hugely popular in Europe, and since then 22 Tintin books have been published worldwide. Hergé’s clean style has influenced hundreds of other cartoonists. Inducted 2003
Gilbert Hernandez, along with his brothers Jaime and Mario, self-published the first issue of Love and Rockets in 1981. It was picked up by Fantagraphics Books in 1982 and ran 50 issues before the brothers took a break to pursue solo projects. From 1983 to 1996, Gilbert produced the legendary Palomar saga, collected in such graphic novels as Heartbreak Soup and Human Diastrophism. Gilbert’s other works include Marble Season, Birdland, and Girl Crazy. Love and Rockets was revived in 2000 and still continues today.
Jaime Hernandez, along with his brothers Gilbert and Mario, self-published the first issue of Love and Rockets in 1981. It was picked up by Fantagraphics Books in 1982 and ran 50 issues before the brothers took a break to pursue solo projects. Jaime’s L&R titles include Vida Loca: The Death of Speedy Ortiz, Whoa, Nellie!, Maggie and Hopey Color Fun, Penny Century, and The Love Bunglers.Love and Rockets was revived in 2000 and still continues today.
The bizarre triangle of Ignatz Mouse, Krazy Kat, and Offisa Pup sprang from the fertile mind of cartoonist George Herriman, whose imaginative use of the comics page and unique setting have captivated readers for nearly a century. Because of Herriman, a brick isn’t just a brick. Inducted 2000