Tove Jansson began her work as a political cartoonist and illustrator in the Garm magazine in the 1930s; through these strips, Moomin was born. Her first book was published in 1945, featuring her loveable hippopotamus-like characters, The Moomins and the Great Flood. She went on to write several more Moomin books as well as her equally popular children’s books. She produced her magnum opus that consisted of 21 long Moomin stories that were broken up as four panel strips from 1954 to1959. Jansson’s work has been translated into 33 languages and they are the most widely translated works of Finnish literature. Not only does she have an amusement park based on her Moomin world but the Finnish put her likeness on a coin.
Jenette Kahn rebranded National Periodical Publications as DC Comics, reviving the floundering company as a proving ground for both experimental titles and reboots of iconic characters. She started as publisher at DC in 1976, at only 28 years old, after having founded the wildly successful kids magazine Dynamite for Scholastic. Kahn became president of DC in 1981 and editor-in-chief in 1989. She pushed the boundaries of mainstream comics, publishing work such as Watchmen and The Dark Knight Returns, and launched the edgier Vertigo line in 1993. She grew the company from 35 employees to 200 (half of them women) and instituted more creator-friendly policies. In 2000 the Library of Congress honored Kahn as a Living Legend for her contributions to America’s cultural heritage. In 2002 she left DC to create her own film production company, Double Nickel, which produced Clint Eastwood’s Gran Torino in 2008.
Carol Kalish served as direct sales manager and vice president of new product development at Marvel Comics from 1981 to 1991. She is credited with pioneering the comics direct market when it was in its adolescence, in part through a program in which Marvel helped pay for comic book stores to acquire cash registers. Beginning in the mid-1980s, Kalish spearheaded the expansion of Marvel's distribution into previously unexplored retail outlets, including major bookstores such as B. Daltons and Waldenbooks. In 2010 she was posthumously awarded the first ComicsPRO Industry Appreciation Award.
Artist and illustrator Michael Kaluta is best known for his work on The Shadow and Elaine Lee’s Starstruck and for his cover art. Influenced by art nouveau and the 1930s pulps, he brought a unique look to comics in the 1970s and 1980s. In recent years he has been in demand as a cover artist, including an award-nominated run on DC/Vertigo’s Madame Xanadu.
Bob Kane entered the comic book industry in 1936 as a freelancer for Jerry Iger’s Wow! What a Magazine! At the Eisner-Iger studio, he drew funny animal strips and humor features. His first adventure strip was “Rusty and His Pals” for DC’s Adventure Comics. In 1939 he collaborated with writer Bill Finger to create a new strip for Detective Comics: “The Bat-Man.” The rest is history!
As a penciller, Gil Kane lent his distinctive style to numerous DC and Marvel titles beginning in the 1950s, including drawing more than 900 covers for Marvel starting in the late 1960s. His work at DC on such titles as Green Lantern and The Atom is highly revered by fans, as is his work at Marvel on Amazing Spider-Man, and many other titles. In the 1970s, he was Marvel’s main cover artist.
In the mid-1940s Robert Kanigher wrote the Justice Society of America, Hawkman, Green Lantern, and Wonder Woman (which he also edited). In 1952 he took over writing and editing the Big Five DC war titles and created Sgt. Rock, Enemy Ace, and The Unknown Soldier (all with Joe Kubert) and The Haunted Tank (with Russ Heath). In the late 1950s and early 1960s he was involved in creating such characters as Viking Prince, the Metal Men, and Poison Ivy. He also scripted the first appearance of the Flash in Showcase #4, the comic often credited as launching the Silver Age of Comics.
Walt Kelly created the denizens of the Okeefenokee swamp, including Pogo Possum, Albert the Alligator, Miz Mamselle Hepzibah, and Porkypine. His Pogo was one of the great sophisticated comics strips, imbued with great humor, sublime satire, and transcendental cartooning.
With Gasoline Alley, Frank King created a neighborhood full of interesting characters who did something no other comics characters did: they aged. He was also a master of the Sunday newspaper page, utilizing it to its full potential by often creating a full-page image and dividing it into panels.
The “King” of the comic book artists, Jack Kirby was there from the beginning, co-creating Captain America in the Golden Age, whole genres such as romance comics in the 1940s, and the “Marvel Age of Comics” in the 1960s. He gave the distinctive look to such characters as the Fantastic Four, Thor, the Silver Surfer, the Avengers, and hundreds of other characters. In the 1970s he created the “Fourth World” for DC, giving birth to such characters as Darkseid, the Demon, and Mr. Miracle.
Denis Kitchen started out as an underground cartoonist. After self-publishing his own work in 1969, he founded Kitchen Sink Press in 1970. Under the name of the Krupp Syndicate, he distributed comic strips to almost 50 underground and college newspapers. Over the course of the next few decades Kitchen Sink published such cartoonists as R. Crumb, Art Spiegelman, S. Clay Wilson, Howard Cruse, Harvey Kurtzman, Will Eisner, Al Capp, Alan Moore, Neil Gaiman, Scott McCloud, and dozens more. In 1986 Denis founded the Comic Book Legal Defense Fund, and he served as the fund’s president until his retirement in 2004.
Kazuo Koike is the co-creator and writer of such classic Japanese comics series as Lone Wolf and Cub, Samurai Executioner, and Crying Freeman. He is also an influential educator, having established the Gekikia Sonjuka, a college course that teaches manga, and mentoring a whole new generation of mangaka (comics artists).
Although B. Krigstein was not the most prolific artist in the EC Comics stable, he was one of the most influential. His experiments with storytelling and the use of zip-a-tone contributed to his distinctive style. His story “The Master Race” in EC’s Impact #1 is often cited as among the top comics stories ever told. Krigstein went on from comics to become an influential painter.
Having started in comics as a teenager in Will Eisner’s studio, Joe Kubert was involved professionally in comics as an artist and editor for 70 years. He is best known for his work at DC on Hawkman, Our Army at War, Sgt. Rock, Viking Prince, Enemy Ace, and Tarzan. His 1996 graphic novel Fax from Sarajevo won numerous awards. He is the founder of the Joe Kubert School in New Jersey.