Joe Orlando started out as an assistant to Wally Wood in the late 1940s and became one of EC’s top sf/fantasy illustrators in the early 1950s. After a stint drawing for Classics Illustrated, he freelanced for MAD and Warren Publications in the 1960s. In 1968 he went on staff at DC, where he edited such titles as House of Mystery, The Witching Hour, Weird War Tales, and Plop! and went on to become vice president and coordinator of special projects. Orlando is credited with designing much of DC’s distinctive typography. Inducted 2007
In addition to Osamu Tezuka, Katsuhiro Otomo is the creator most responsible for popularizing anime and manga in the Western world. Akira, his landmark achievement, revitalized the anime and manga industry, building an entire new anime empire on the groundwork laid by Tezuka. Otomo’s other famous work is Domu, which began being serialized in 1980 and ran for two years. Next came Akira, which ran to over 2,000 pages serialized over eight years (1982–1990). The anime adaptation was released in 1988. Following the success of Akira, Otomo continued work in film as a director and screenwriter. Inducted 2012
In 1968 DC editor Julius Schwartz asked Dennis O'Neil to revamp Batman. O’Neil and artist Neal Adams took the character back to his roots and created the version of Batman that has been an inspiration for many of the Warner Bros. films and current comics. In 1970, Dennis again collaborated with Adams and Schwartz to produce the Green Lantern/Green Arrow series. Among his other lauded works for DC are The Shadow with Michael Kaluta and The Question with Denys Cowan.
The first issue of Harvey Pekar‘s American Splendor appeared in 1976. Between then and 1991 he self-published 16 issues, drawn by a variety of artists, most notably R. Crumb and Frank Stack. Subsequent issues were published by Dark Horse and Vertigo. His book with Joyce Brabner Our Cancer Year garnered numerous awards, and Harvey became somewhat of a celebrity by appearing on the Letterman show. In 2003 a film version of American Splendor brought Harvey back into the spotlight. Inducted 2011
George Pérez started drawing comics at Marvel in 1974. After working on such titles as Fantastic Four, The Inhumans, and The Avengers, he developed a reputation as the artist who liked to draw group books. In addition to his Marvel stints, he is best known for his work on DC’s The New Teen Titans,Wonder Woman, and Crisis on Infinite Earths.
At age 61, Harry G. Peter began drawing Wonder Woman, collaborating with writer William Moulton Marston. Peter started with the Amazon’s first appearance in Sensation Comics in 1941 and continued drawing the feature for close to two decades. Wonder Woman #97, cover dated April 1958, was Peter's last issue.
Hugo Pratt was an Italian who grew up in both Venice and Ethiopia. The aspiring cartoonist moved to Argentina in 1950, where he created a number of adventure comic strips. He returned to Italy in 1965, and in 1970 he created Corto Maltese, an adventure series set in the South Seas, for the French comics weekly Pif. This strip became very successful, and Pratt’s distinctive art style became highly influential on cartoonists around the world. Inducted 2005
Photo from The Spy vs. Spy Omnibus (MAD Books, 2011)
Antonio Prohías is best known for his 30 years of work with MAD magazine on his comic feature “Spy Vs. Spy,” which has been adapted into a series of animated shorts, several video games, a series of live-action television commercials, and a Sunday strip. In the late 1940s Prohias began drawing cartoons for the prestigious Cuban newspaper El Mundo. His wordless material enjoyed international appeal, and by the late 1950s he was the president of the Association of Cuban Cartoonists. On May 1, 1960 (just three days before Castro gained control of El Mundo and the rest of Cuba’s free press) Prohías fled Cuba for New York City.
Mac Raboy‘s stunning artwork and covers for Captain Marvel Jr. and Master Comics, published by Fawcett, make them both highly prized series among Golden Age collectors. He left comic books in 1948 to draw the Flash Gordon Sunday strip, which he did until his death in 1967. Inducted 1999
Alex Raymond made his place in comics history not only by creating Flash Gordon but for influencing artists such as Al Williamson with his beautiful line work and science fiction settings. Raymond’s other comic strip work includes Secret Agent X-9, Jungle Jim, and Rip Kirby. Inducted 1996
A pioneer of the underground comix movement, Trina Robbins published the first comic book produced entirely by women, It Ain’t Me, Babe. From there she went on to co-found the Wimmin’s Comix collective, which helped launch the careers of many other prominent women cartoonists in the underground and alternative field. Her nonfiction books include The Great Women Superheroes and A Century of Women Cartoonists. She has also edited a number of collections of early women cartoonists’ reprinted work, including The Brinkley Girls: The Best of Nell Brinkley’s Cartoons from 1913-1940 (Fantagraphics) and Tarpé Mills’ Miss Fury (IDW). Inducted 2013
As Bob Kane’s first assistant on Batman, artist Jerry Robinson was the first to draw both Robin and The Joker, and he played a major role in their creations. He drew numerous Batman stories and covers for Detective and Batman between 1939 and 1946. In the late 1940s, he drew such features as “The Vigilante” and “Jonny Quick.” He moved to the comics strip realm in the 1950s and spent the next several decades in that world, created his own cartoonists’ syndicate, and wrote the seminal book The Comics: An Illustrated History of Comic Strip Art. Inducted 2004
Spain Rodriguez was one of the seminal artists in the underground comix movement. In New York, he created the tabloid Zodiac Mindwarp for East Village Other before moving to San Francisco to become part of the counterculture scene there. His character Trashman, Agent of the Sixth International, was an icon in underground newspapers as well as in Zap. More recently, he produced such award-winning graphic novels as Nightmare Alley and Che: A Graphic Biography. Inducted 2013
John Romita drew Marvel’s Amazing Spider-Man from 1966 to 1972, giving the definitive look to such characters as Mary Jane Watson, the Kingpin, and the Punisher. In 1973, he became Marvel’s art director, a position he held until his retirement in 1996, and where he created the initial designs on such seminal characters as Wolverine. In 1977, Romita also co-created the Spider-Man newspaper strip, along with writer Stan Lee. Inducted 2002