Sheldon Moldoff, Bob Kane's first assistant on Batman, worked on the character off and on for 30 years. He is credited with co-creating Bat-Girl, Bat-Woman, Poison Ivy, Mr. Freeze, Bat-Mite, and Ace the Bat Hound, and he was the regular artist on the Golden Age Hawkman. He was also a prolific cover artist, with credits including the first Green Lantern cover (All-American #16). Inducted 2014
Cartoonist Bob Montana is famed for co-creating the character of Archie for MLJ Publications in 1941. He drew Archie’s first appearance in Pep and the first Archie comic books, and he was the writer/artist of the Archie newspaper strip from 1946 until his death in 1975. Inducted 2010
British writer Alan Moore is best known as the creator of Watchmen, V for Vendetta, and From Hell. In the early 1980s he worked primarily for 2000AD (creating such series as Skiz,D.R. & Quinch, and The Ballad of Halo Jones), Marvel UK, and Warrior Publications. Moore hit the American comics scene in 1983 as the writer of DC’s Swamp Thing. The success of that title led to DC’s recruitment of more British writers, the founding of the Vertigo imprint, and Moore’s going on to create such enduring titles as Watchmen, Batman:The Killing Joke, V for Vendetta, The League of Extraordinary Gentlemen, and Lost Girls. Inducted 2014
Marty Nodell co-created the Green Lantern in 1940 with writer Bill Finger. He drew Green Lantern in various titles until leaving DC in 1947 to work for Timely Comics. At Timely he drew Captain America, The Human Torch, and the Submariner, among others, until 1950 when he left the comics business for good. Inducted 2011
Joe Orlando started out as an assistant to Wally Wood in the late 1940s and became one of EC’s top sf/fantasy illustrators in the early 1950s. After a stint drawing for Classics Illustrated, he freelanced for MAD and Warren Publications in the 1960s. In 1968 he went on staff at DC, where he edited such titles as House of Mystery, The Witching Hour, Weird War Tales, and Plop! and went on to become vice president and coordinator of special projects. Orlando is credited with designing much of DC’s distinctive typography. Inducted 2007
Jackie Ormes was the first, and for a long time only, black female newspaper cartoonist. From 1937 to 1938 she wrote and drew Dixie in Harlem comics featuring Torchy Brown. After returning to her roots in journalism, she published Candy, a single-panel cartoon about a witty housemaid in 1945. Then she created Patty-Jo ’n’ Ginger, another single-panel cartoon about a pair of sisters, which ran for 11 years through 1956. Finally, from 1950 to 1954, Ormes revamped Torchy Brown into Torchy in Heartbeats, an 8-page color comic insert, including many paper dolls as was popular in the time.
In addition to Osamu Tezuka, Katsuhiro Otomo is the creator most responsible for popularizing anime and manga in the Western world. Akira, his landmark achievement, revitalized the anime and manga industry, building an entire new anime empire on the groundwork laid by Tezuka. Otomo’s other famous work is Domu, which began being serialized in 1980 and ran for two years. Next came Akira, which ran to over 2,000 pages serialized over eight years (1982–1990). The anime adaptation was released in 1988. Following the success of Akira, Otomo continued work in film as a director and screenwriter. Inducted 2012
In 1968 DC editor Julius Schwartz asked Dennis O'Neil to revamp Batman. O’Neil and artist Neal Adams took the character back to his roots and created the version of Batman that has been an inspiration for many of the Warner Bros. films and current comics. In 1970, Dennis again collaborated with Adams and Schwartz to produce the Green Lantern/Green Arrow series. Among his other lauded works for DC are The Shadow with Michael Kaluta and The Question with Denys Cowan.
The first issue of Harvey Pekar‘s American Splendor appeared in 1976. Between then and 1991 he self-published 16 issues, drawn by a variety of artists, most notably R. Crumb and Frank Stack. Subsequent issues were published by Dark Horse and Vertigo. His book with Joyce Brabner Our Cancer Year garnered numerous awards, and Harvey became somewhat of a celebrity by appearing on the Letterman show. In 2003 a film version of American Splendor brought Harvey back into the spotlight. Inducted 2011
George Pérez started drawing comics at Marvel in 1974. After working on such titles as Fantastic Four, The Inhumans, and The Avengers, he developed a reputation as the artist who liked to draw group books. In addition to his Marvel stints, he is best known for his work on DC’s The New Teen Titans,Wonder Woman, and Crisis on Infinite Earths.
At age 61, Harry G. Peter began drawing Wonder Woman, collaborating with writer William Moulton Marston. Peter started with the Amazon’s first appearance in Sensation Comics in 1941 and continued drawing the feature for close to two decades. Wonder Woman #97, cover dated April 1958, was Peter's last issue.
Hugo Pratt was an Italian who grew up in both Venice and Ethiopia. The aspiring cartoonist moved to Argentina in 1950, where he created a number of adventure comic strips. He returned to Italy in 1965, and in 1970 he created Corto Maltese, an adventure series set in the South Seas, for the French comics weekly Pif. This strip became very successful, and Pratt’s distinctive art style became highly influential on cartoonists around the world. Inducted 2005
Photo from The Spy vs. Spy Omnibus (MAD Books, 2011)
Antonio Prohías is best known for his 30 years of work with MAD magazine on his comic feature “Spy Vs. Spy,” which has been adapted into a series of animated shorts, several video games, a series of live-action television commercials, and a Sunday strip. In the late 1940s Prohias began drawing cartoons for the prestigious Cuban newspaper El Mundo. His wordless material enjoyed international appeal, and by the late 1950s he was the president of the Association of Cuban Cartoonists. On May 1, 1960 (just three days before Castro gained control of El Mundo and the rest of Cuba’s free press) Prohías fled Cuba for New York City.
Mac Raboy‘s stunning artwork and covers for Captain Marvel Jr. and Master Comics, published by Fawcett, make them both highly prized series among Golden Age collectors. He left comic books in 1948 to draw the Flash Gordon Sunday strip, which he did until his death in 1967. Inducted 1999